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Review by Ben Harper in Boring Like A Drill (UK), October 22, 2019
“…this addition gives us some important details of the bigger picture of her music, casting her work into a different light.”
Review by Philip Clark in The Wire (UK), January, 2020 (Issue 431)
“Her loops are jagged, irregular, stretching like elastic, and there are beguiling moments when the loops are expanded so far that the sounds suddenly become unleashed from their sources.”